Many years ago, in one of those serendipitous but fateful-feeling writing discoveries, I came across an essay by the American poet Louise Gluck. In her poetry, Gluck said, she was attracted to gaps and ellipsis, to disruption and hesitation, to …
The Writer Laid Bare
A Book in Identity Crisis: Guest Post by Amra Pajalic
I first started writing my recently completed memoir, Things Nobody Knows But Me, when I was doing my Diploma of Professional Writing and Editing. I titled it then Sins of the Mother. I was 20-years-old and even though I …
Chagall’s Curse
Two years ago I pitched a short memoir to a notable Australian literary magazine. It was a story from my childhood about how I helped my parents, then dissidents in the Soviet Union, to hide forbidden literature during a KGB …
Writing, & Fictionalising, My Parents’ Lives: Guest Post by Anne Connor
How do I write about my parents, Jock and Bess’, lives when they are no longer here, ethically, with credibility? How do I use their stories to examine universal issues such as the futility of war, post-traumatic stress disorder and …
How to keep your book alive. Reluctantly.
I’ll begin with a disclaimer. I’ve always experienced considerable tension between my writer-self and my book-promoting self. However you approach the task, when you promote your books you inevitably take residence in the kingdom of niceness, where the drive to …
What Screenwriters Need to Know: Guest Post by Saara Lamberg
Screenwriting is a very different practice to any other type of writing, and one that suits my personality. I mean, who wouldn’t want to sit under the palm tree being attended to by half-naked man-gods while typing away one’s fantasies?…